Little man what now ? _ Kleiner Mann was nun?

Little Man, What Now? _ Kleiner Mann - was nun?

Pinneberg and Lämmchen are young parents who cling to their love and their faith in civic morality – despite their poverty, unemployment and social hardships. Their struggle for a last shred of dignity ends in the Moloch of Berlin. Hans Fallada wrote his internationally acclaimed novel in 1932, a time of extreme economic and political tension in Germany, and only a censored version could be published. The author’s summary of his book: “Marriage and woes of Johannes Pinneberg, employee, loses his job, gets a new job and becomes permanently unemployed. One among six millions, a nothing, and what this nothing feels, thinks and experiences.” The question “What now?” from the novel’s title “Little Man, What Now?” was historically answered by National Socialists’ seizure of power. Fallada’s answer to the question of how much impact humaneness can have in a mass society is a utopian moment.

FRANK CASTORF has adapted the original version of the novel for Berliner Ensemble and relates it to autofictional texts that Fallada mostly wrote in prison, as, for instance, “Die Kuh, der Schuh, dann du”. 

 

Frank Castorf adapts Hans Fallada’s “Little Man – What Now?” for the stage in a multimedia format. How much of the author himself is in his texts, and what the director focuses on artistically and in terms of content – you will find out in the audio introduction.

The story of the small employee Pinneberg begins like a fairy tale about the great happiness of a small, brave family in an unjust world. Despite unemployment, poverty, increasing social brutality and the radicalization of the political camps in Berlin in the early 1930s, the young lovers hold steadfastly to their petty-bourgeois moral values.

Fallada answers the question “What now?” with an interpersonal fantasy of retreat in the midst of a merciless mass society. Frank Castorf adapts the uncensored version of the novel for the Berliner Ensemble and relates the New Objectivity bestseller, which has been filmed several times, to an autofictional, expressionist text by Fallada. Fallada wrote the text in 1920 while in a psychiatric hospital, under the influence of his cocaine and morphine addiction. He considered the text to be one of his strongest: The cow, the shoe, then you.

To Fallada’s question “What now?”, which he asked shortly before Hitler came to power, Castorf answered with Heiner Müller’s “The Battle”. The later-born dramatist Heiner Müller refers to Bertolt Brecht’s Fear and Misery of the Third Reich in his montage about fascism, which is as powerful in language as it is without illusions, and said: “I don’t believe that a story that makes sense can still come close to reality.”

Taken from: https://www.berliner-ensemble.de/index.php/magazin/eine-verschollene-buergerlichkeit-spukt-mir

 

Kritik

https://www.zeit.de/2024/40/hans-fallada-berliner-ensemble-frank-castorf-kleiner-mann-was-nun

https://www.rbb24.de/kultur/beitrag/2024/09/premierenkritik-kleiner-mann-was-nun-hans-fallada-berliner-ensem.html

https://www.rbb-online.de/rbbkultur-magazin/archiv/20240914_1830/castorf-frank-berliner-ensemble-theater-kleiner-mann-was-nun-fallada-inszenierung.html

https://nachtkritik.de/nachtkritiken/deutschland/berlin-brandenburg/berlin/berliner-ensemble/kleiner-mann-was-nun-berliner-ensemble-frank-castorf-versetzt-hans-falladas-romanfiguren-zurueck-in-den-kampf-mit-den-ideologien

Project done in collaboration with: Berliner Ensamble Theatre